Little Blue Books and Big Blue Books

Little Blue Books and Big Blue Books by the Haldeman-Julius Publishing Company

Little Blue Books and Big Blue Books are a series of small staple-bound books published from 1925 to 1950 by the Haldeman-Julius Publishing Company of Girard, Kansas and was managed by E. Haldeman-Julius and his wife, Marcet Haldeman-Julius. (Visit Our Products Page for these and other collectibles.)

Mark Twain English as she is spoke blue bookThe series included both reprints and first publications, including the first publication of “An Outline of Intellectual Rubbish” by Bertrand Russell. Originally selling for a nickel or dime the Big Blue Books were published to provide a basic education for the working man and to promote American Socialism.

big blue books catalogOther titles began as early as 1919, with  the Little Blue Books series starting  around 1925. Included were reprints  of literature and philosophy. As the series continued, reprints were replaced by original materials, including courses for self improvement and legal documents. The various Haldeman-Julius pocket books series titles include: The Appeal’s Pocket Series, People’s Pocket Series, Appeal Pocket Series, Ten Cent Pocket Series, Five Cent Pocket Series, and the Pocket Series. All the books measure approximately 3 1/2 x 5 inches and were printed in standard lengths of 16, 32, 64, 96, 128 and 160 pages.

Virtual or Real Valentine?

Saint Valentines Day Commemoration

Saint Valentine’s Day more commonly referred to as Valentine’s Day, is an annual commemoration held on February 14 celebrating love and affection between intimate companions.

The day is named after one of the early Christian martyrs, Saint Valentine, and was established by Pope Gelasius I in 500 AD. It was deleted from the Roman calendar of saints in 1969 by Pope Paul VI, but its religious observance is still permitted.

It is traditionally a day on which lovers express their love for each other by presenting flowers, offering confectionery, and sending greeting cards known as Valentines. The day first became associated with romantic love in the circle of Geoffrey Chaucer in the High Middle Ages, when the tradition of courtly love flourished. Modern Valentine’s Day symbols include the heart-shaped outline, doves, and the figure of the winged Cupid.

Since the 19th century, handwritten valentines have given way to mass-produced greeting cards, which now compete with virtual or e-cards.

Sending virtual invitations, greeting cards and postcards has become the norm, while a good old-fashioned tangible Valentine’s Day Card may be a thing of the past. Vintage Valentine Cards are a piece of history, some of the oldest can be traced back to the mid 1700s and are rarely found in circulation. Old Ornate German Valentines Day Cards are especially desirable with their elegant embossing, fold-outs and ribbon accents, including unique valentines with cutouts and movable parts. The exchanging of valentines was a custom popularized by German immigrants in Pennsylvania in the late 1700s. The initial mass production of Valentine Cards in the US started around 1850, when a Massachusetts woman began making cards to sell as part of her business – New England Valentine Company. In 1870, George C. Whitney developed equipment for fancy embossing. After, he bought out several competitors, including Howland in 1880. Whitman Publishing Co. was one of the major American producers of valentines following World War II. Currently there are a variety of antique, vintage and collectible valentines on the market for collectors or the curious. Rare Victorian Era Valentine Cards can command hundreds of dollars, where as cards from the 1920s through 1960s can be had for around $25 to $5 on average.

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View and Purchase from the entire Antique and Vintage Valentine Card Collection HERE

View-Master Simulated Binocular Depth Perception

The Wonderful View-Master, there have been over 25 different models of viewers and 1.5 billion disks produced.

Since 1939 the View-Master has been a device for viewing seven 3-D images (aka stereo images) on a disk. Although the View-Master is now considered a child’s toy, it was originally marketed as a way for viewers to enjoy stereo-grams of colorful and picturesque tourist attractions.

In 1911, Sawyer’s Photo Services began operations. In 1918, brothers Fred and Ed Mayer bought in to Sawyer’s. In 1926, Harold Graves joined Sawyer’s and was responsible for Sawyer’s producing photographic postcards and album sets as souvenirs. Later, photographic greeting-cards were added to the Sawyer’s product line and were sold to major department stores.

William Gruber, an organ maker and avid photographer, lived in Portland, Oregon. While on vacation, he met Harold Graves, of Sawyer’s. Both Graves and Gruber had developed devices for viewing stereo images. Gruber had made up a stereo imaging rig out of two Kodak Bantam Specials mounted together on a tripod. He had the idea of updating the old-fashioned stereoscope by using the new Kodachrome 16-mm color film, which recently had become available. While a View-Master disk holds 14 film slides, these really are only seven pairs, making up the seven stereoscopic images; two film slides are viewed simultaneously, one for each eye, thus simulating binocular depth perception. Shortly thereafter, in 1939, Gruber and Graves formed a partnership which led to the retail sales of View-Master viewers and disks. The patent on the viewing device was issued in 1940, on what came to be called the Model A viewer. Within a very short time, the View-Master quickly took over the postcard business at Sawyer’s.

In late 1939, the View-Master was introduced at the New York World’s Fair (marked “Patent Applied For”). It was intended as an alternative to the scenic postcard, and was originally sold at photography shops, stationery stores, and scenic-attraction gift shops. The main subjects of View-Master disks were Carlsbad Caverns and the Grand Canyon. In the 1940s, the United States military recognized the potential for using View-Master products for personnel training, purchasing 100,000 viewers and nearly six million disks from 1942 to the end of World War II, in 1945. In 1950, Sawyer’s built a factory in Beaverton, Oregon to build the View-Master.

In 1951, Sawyer’s purchased Tru-Vue, the main competitor of View-Master. In addition to eliminating the main rival, the takeover also gave Sawyer’s Tru-Vue’s licensing rights to Walt Disney Studios. Sawyer’s capitalized on the opportunity and produced numerous disks featuring Disney characters. The takeover would pay off further in 1955, with disks of the newly opened Disneyland. In 1952, Sawyer’s began its View-Master Personal line, which included a 35-mm camera for its users to make their own View-Master disks. Although at first highly successful, the line would be discontinued within ten years. Many of these rugged, well-made cameras are still used. This line also spawned the Model D viewer (available until the early 1970s, it was View-Master’s highest-quality viewer) and View-Master’s only 3-D projector, the Stereomatic 500. In 1955, the Model E was introduced, with a more modern design, big ivory buttons on the picture changer levers, and a large “V” slot on top for easier disk insertion. It was black in color, and about 4″ high, 5″ wide, and 4″ deep. In 1958, the Model F was introduced; it used C-cell batteries to power an internal lighting source. Industrial designer Charles “Chuck” Harrison led the team that designed the Model F View-Master. Fifty years later (in 2008) Harrison won the Cooper-Hewitt Lifetime Achievement Award.

In 1962, the Bakelite models were replaced with plastic versions, the first of which was the Model G. This change was driven by Sawyer’s new president, Bob Brost, who took over in 1959. The View-Master had been constructed originally from Kodak Tenite plastic and then Bakelite, a hard, sturdy, somewhat heavy plastic. The material of choice under Brost became the much lighter-weight thermoplastic. In 1966, Sawyer’s was acquired by the General Aniline & Film (GAF) Corporation, and became a wholly owned subsidiary. Under GAF’s ownership, View-Master disks began to feature fewer scenic and more child-friendly subjects, such as toys and cartoons. Several now classic television series were also featured on View-Master disks, such as Rowan & Martin’s Laugh-In, Star Trek, The Man From U.N.C.L.E., Here’s Lucy, and The Beverly Hillbillies. Actor Henry Fonda appeared in a series of TV commercials for the GAF View-Master.

In 1971, the Talking View-Master was introduced. In 1976, a red and white View-Master with a blue handle was released to commemorate the United States Bicentennial. In 1977, GAF switched the film used in View-Masters. GAF had its own line of film and had planned to switch over all View-Master production to it. The film was of poor quality: Images turned red over time. Therefore, 1977 has become an important date for collectors of the disks.

In 1981, GAF sold View-Master to a group headed by Arnold Thaler, head of Ekco Housewares, for $24 million. In 1987, six years later, a thriving View-Master International purchased Ideal Toy Company and became known as View-Master Ideal (VMI). To mark the event, the company issued the first 3-D stock certificate, issued with red/blue glasses to view their logo, View-Master with the world as a background in 3-D. When the stock split 2 for 1 in 1989, the certificate was industry standard with no 3-D enhancement. In the mid-1980s, the toy eventually had a home video label, notable for producing Kidsongs.

In August 1989, the View-Master product line was sold for the third time to Tyco Toys, Inc. of Mt. Laurel, New Jersey, upon its purchase of View-Master Ideal. The View-Master line remained part of Tyco until Tyco’s merger with Mattel, Inc., in 1997. Shortly after the merger with Mattel, Inc., the View-Master category shifted to Mattel subsidiary Fisher-Price, in East Aurora, New York. In 1998, EPA investigations began on View-Master factory supply well for the toxic chemical trichloroethylene (TCE). The plant was shut down in 2001.

In March 2009, the Fisher-Price division of toy maker Mattel announced that they had stopped production in December 2008 of the scenic disks depicting tourist attractions. These disks of picturesque scenes and landscape scenery were direct descendants of the original View-Master disks first sold in 1939. Fisher-Price announced they would continue to produce disks of animated characters. In late 2009, Alpha-cine announced it would take-up the scenic reel production under an agreement with Fisher-Price.

In total, there have been over 25 different models of viewers and 1.5 billion disks produced. Despite its long history and the many changes in models and materials, the same basic design of disks and internal mechanism has persisted throughout, ensuring that every disk ever made will work in every model ever produced. View-Master is part of the National Toy Hall of Fame of the United States. As of July 2009, DreamWorks SKG was negotiating for the rights to develop View-Master into a feature film.


Disks have been produced for Disneyland, many TV shows, movies (such as E.T. the Extra-Terrestrial and Jurassic Park), and the U.S. military (for airplane/ship identification and range estimation). David L. Bassett, an expert on anatomy and dissection, collaborated with Gruber to create a 25-volume atlas of human anatomy using the View-Master system. Among the new View-Master products are a Discovery Channel View-Master, the new Virtual Viewer, the Discovery Channel View-Master Projector and Telescope, and the View-Master 3-D Pocket Viewer, which feature images of popular performers in concert and backstage.

You can View and Purchase an Old Sawyers View-Master Set Circa 1940s HERE