Retro-Vintage-Bazaar

It’s the Great Pumpkin Charlie Brown Book and Record
From 1977 to the early to mid 1980’s, Disney issued book and record releases based on Charles M. Schulz’s famed Peanuts characters under the Charlie Brown Records subsidiary. These were based on select TV specials that aired. This slightly used Charlie Brown Book and Record is Number 404 : It’s the Great Pumpkin, Charlie Brown by Charlie Brown Records. This book and record is readable and playable, sold as is.
It’s the Great Pumpkin, Charlie Brown on Television
It’s the Great Pumpkin, Charlie Brown is the third prime time animated television special, based on the comic strip Peanuts by Charles M. Schulz. It was the first Halloween special to be produced and animated by Bill Melendez. Its initial broadcast took place on Thursday, October 27, 1966, on the CBS network, preempting My Three Sons. CBS re-aired the special annually through 2000, with ABC picking up the rights beginning in 2001. The program was nominated for an Emmy award.

See the Pictures, Hear the Record, Read the Book, Walt Disney Presents Acting Out the ABC’s

See the Pictures, Hear the Record, Read the Book, Walt Disney Presents Acting Out the A, B, C’s A Child’s primer of the alphabet and songs. Walt Disney, Disneyland Records, Vintage 1967, 24 pages. This rare orange covered record-book is used and in overall very good condition, sold as is The storybook has light edge, spine and corner wear, the record has light wear. Very Readable and Playable

1983 Care Bears Record Player with Records
This hard to find Care Bears Record Player Vintage 1983 was made by American Greeting Corp, has 2 speeds (33 rpm / 45 rpm / neutral) with a single knob for on/off/volume and a white plastic handle. We have installed a new needle (stylus) and played several records with it. This item is used and sold as is. We also include 3 Strawberry Shortcake “SEE HEAR READ” record-books.

See the video of this vintage Care Bears Record Player on our front page.

http://retro-vintage-bazaar.com/care-bears-record-player/

Includes:

1 – Care Bears Record Player (with new needle) Good Condition

3 – “See the pictures Hear the story Read the Book” Records with matching Book – Strawberry Shortcake’s “Day in the Country” 1982 good condition, Strawberry Shortcake’s “Book of Words’ 1982 very good condition, Strawberry Shortcake “and Her Friends” 1980 very good condition. All are playable and readable.

This  Vintage Sylvania Sun-Gun Movie Light Model SG-8 (S.G. VIII) has a setting for either flood light or spot light and has a 10 foot power cord, universal mounting threads for a tripod and a bracket so can be mounted to a camera. This item is used and in very good condition, switch setting and light worked when plugged in. sold as is

The Kodak Duaflex is a 620 roll film pseudo TLR made from 1947 through 1960 by Kodak in the US and the UK. The Duaflex IV was the last in the series and was discontinued in the US in March 1960. The various Duaflexes had aluminum alloy bodies and were available with either a simple fixed focus 75mm f/15 Kodet lens or with a 72mm f/8 Kodar triplet lens in a front-element focusing (to 3.5 ft. mount. The Kodar lens had Waterhouse stops of f/8, 11, and 16. The shutter had speeds of “I” and “B”, and was synched  for use with a Kodalite Flasholder. This art deco style Dualflex IV Camera is in very good condition, all knobs and buttons turn and click, the shutter clicks. This is a highly collectible used camera and due to its age sold as is. This Kodak Duaflex IV has a Kodet lens, shoe string neck strap and is brownish in color.

Magazine Cine-Kodak Vintage 1955 16mm Movie Camera by Eastman-Kodak

We are offering this rare vintage Cine-Kodak Royal Magazine 16mm Camera. This was Kodak’s finest personal movie camera combining a high quality Ektar-Lens, automatic loading and a Kodak Anastigmat F 1.9 25mm lens. The camera runs when wound and is in clean condition with a few minor scuffs and scratches that give it even more art-deco character. This is a used collectible Eastman-Kodak movie camera that is sold as is.

Vintage Polaroid Land Camera Model 80A (Highlander) with Polaroid BC Flash Model 281 Vintage 1957

Specs:
Lens: 100mm f8.8 3-element glass
Shutter: 2-speed everset rotary-leaf design; 1/25 and 1/100 plus Bulb
Flash: M-sync via Polaroid Hot Shoe
Exposure set by Light Value scale
Rigid viewfinder on top of camera
Scale focus by rotating lens front-element, no rangefinder
Self-erecting bellows design

This vintage Polaroid Land Camera is in good condition and the included Polaroid BC Flash is in good condition also. The bellows is in good shape with no rips or tears, all mechcanisms moves, turn and click including the shutter. This wonderful vintage Land Camera is used, in fair condition and sold as is. This camera has plenty of eye appeal !

Vintage GE ENX Projection Lamp, ANSI Code ENX, MR16 Lamp Shape, GX5.3 2-Pin Lamp Base, Overhead Projection, Flat Pins, 360 Watts, Voltage 82, Average Life (Hours) 75, Max. Overall Length (In.) 1-3/4, Color Temp. This is a GE multi-Mirro projection lamp bulb ENX ,82 V / 360 W, it appears to be new old stock. It tested fine with a continuity tester.

Makinon Pro Auto Tele Converter 2x Multi Coated Lens made in Japan

This is a vintage used Makinon 2x tele converter in good condition and sold as is.

The Kodak Automatic and Motormatic series were Kodak’s last American made 35mm cameras, and their first automatic exposure 35mm cameras. Tracing their original roots back to the Kodak 35 of 1938, there were seven different models; the first, the Kodak Automatic 35, was introduced in 1959 while the last, the Motormatic 35R4, was introduced in 1965. Production ceased in 1969. Based largely on the Kodak Signet 50, the Kodak Automatic utilized that camera’s basic body, film transport, and lens. The lens was a 44mm f/2.8 Kodak Ektanar (Lumenized), a 4-element Tessar  design with front element focusing. Like many of Kodak’s better lenses of this period, the lenses are somewhat radioactive. The camera had a drum take up spool and bottom mounted advance lever. The various Automatic and Motormatic cameras differ only in that the Automatics had a two speed (1/40 for flash and 1/80 for existing light) Kodak Synchro 80 Shutter and manual lever film advance, while the Motormatics had a four speed (1/40, 1/80, 1/125, and 1/250) user selectable Kodak Automatic Flash Shutter and a spring driven power film advance. The spring motor was wound by a ratcheted knob on the camera’s right bottom plate, and could be disengaged for a “stealth” mode of operation. The concept of a spring driven film advance was to reappear on Kodak’s Instamatic 800 series. The main difference between the successive models of each camera were in the flash capabilities, evolving from the side mounted M2 flashbulb gun of the original models, adding an aperture/distance guide number (GN) interlock on the B model), through the integral top mounted AG-1 socket and reflector of the F models, and finally to the top mounted Flashcube socket on the R4 models. Only the original models had manual exposure settings, Kodak evidently feeling that manual exposure control was only necessary for flash operations. On the B, F, and R4 models, it was not possible to manually set the aperture. These are fixed-lens viewfinder cameras; focusing is by scale or estimate. The bodies are made from bake-lite, with metal inserts, fittings, and attached plates. The top plate contains (from the right) the bright-line window, the centrally located viewfinder, and the selenium meter cell. In addition to the viewfinder having a brightline for the 44mm lens and parallax marks for 3 and 5 feet, it displays the words “Close-ups”, “Groups”, and Scenes” when the focusing ring is set to the appropriate click stop. The selenium exposure meter was calibrated for ASA speed via a dial on the left top plate. With the introduction of these cameras, Kodak finally abandoned the EV system, the meter now reading out in f/stops. Both cameras utilized the trap needle exposure automation system first developed in the Kodak Super Six-20 of 1938. Slight pressure on the shutter release set the 4-bladed aperture diaphragm at the f/stop indicated by the meter needle. The meter readout was located on a flat panel directly on top of the lens mount. On the original models, the same panel featured a movable pointer used to select f/stops when the camera was in manual exposure mode. The selenium photocell required no batteries, however the F and R4 models had a battery compartment to power the built in flash units. The Automatic 35 originally sold in 1959 for a list price of about $85.00 USD which currently is approx $685 USD.  This used vintage Kodak camera is in very good condition and the included leather case is in very good condition. All the buttons, knobs, levers, exposure needle and dials move and turn as they should and the shutter clicks. Due to the age of this collectible camera it is sold as is.

This awesome camera was the apex of Kodak’s Pony line. The rigidly mounted lens is similar to the Pony II, but is nearly one-half stop faster. The four speed (plus bulb) shutter is calibrated in the more modern scale of 1/30, 1/60, 1/125, and 1/250th second. It is the only Pony model to feature an accessory shoe. The camera back mounted film card holder is similar to the Pony II. Flash synchronization is both X and M. M sync is provide through the normal Kodalite connectors on the camera’s left side. X sync requires an obscure Kodalite adapter. The top of the lens mount is marked with lens numbers 3.5 to 9 in half steps and shutter numbers 5 to 8 in whole steps. These numbers are related to EV numbers in that summing the lens and shutter values in use provides the EV number of that particular setting. That EV number can then be referenced to the rare EV cards for each Kodak film type or to an appropriately marked exposure meter. Fortunately for all concerned, conventional shutter speeds and f/stops are somewhat inconveniently displayed on the underside of the lens mount. Engraved upside down, they can be read by rotating the lens towards one’s self while holding the camera at chest level. Their use while the camera is mounted on a tripod is challenging. The Anastar lens on the Pony IV utilizes components containing Thorium oxide, which results in a very high refractive index of the glass. Thorium is radioactive, and these lenses easily register on a Geiger counter (at app. 1 mr/hr). It is suspected that the lenses on the other Pony cameras share this trait, as do the lenses on the Signet 40, 80, the high end Instamatics, certain Ektars, and many other Kodak lenses from this era. Specs: Produced from 1957-1961, the  Film format is 135, Shutter Speeds Kodak Flash 250 B, 1.30 – 1/250 (M and X sync), and the Lens is the Kodak Anastar 44mm f/3.5 – f/22. This camera is in very good condition with a good condition leather carry case (the carry case top is mis-matched but fits and reads Kodak). This collectible Kodak Pony Camera is used and due to its age sold as is. Everything on this Kodak Pony IV Camera turns, clicks and moves as it should, the shutter clicks. The Kodak Pony IV originally sold for around $40 USD which is currently equal to about $375 USD.

This Vintage 1950’s Revere Eye-Matic Spool Eight Model CA-2 Eye-Matic 8mm Film Spool Turret Camera is in great condition, it winds and all buttons, knobs and dials turn and seem to do their job. The lenses are marked Wollensak Cine Raptar 9 MM f/1.8,  13MM f/1.8, 32.5 MM f/1.8 and on the bottom it reads Revere Camera Company, Model CA 2 NO. EE95076. This camera is eye candy for any camera collector. This vintage camera is used, in very good condition and includes carry shoe string strap and 2 lens caps, due to its age sold as is.

Vintage Focal 320 BS 20-01-40 Flash unit made in Hong Kong, it uses 2 AA batteries not included. Use the fine flash unit with your vintage rangefinder cameras or others. This used flash unit produces the high pitch power up sound and flashes, due to age sold as is.

This Rare J Thos Rhamstine M-S-A Electrophot exposure meter was made in Detroit, Michigan USA and first introduced in 1932, it uses a battery-powered selenium cell as a light receptor. The first photo-electric exposure meter is reported to have  been advertised in the Home Movies magazine in October 1931 by J Thomas Rhamstine. There is popular belief that the Weston 617 was the first meter, however, three others are noted before the Weston Meter appeared in August 1932. Before that time photographers had to rely upon their own judgment, or written instructions provided in simple tables to determine the best f-stop and shutter speed combination to use when taking a picture as the existing exposure meters were still very expensive. This hard to find historic photo-meter is in excellent vintage condition, the needle responds to light and the included leather case shows some normal wear. This used M-S-A electrophot exposure meter is sold as a collectible and sold as is.

This great vintage Petri 7s 35mm Film Camera was introduced by Petri in 1963 and ran through 1973 as a variant of the Petri 7 which was introduced in 1961. The main difference is an improved film advance lever and frame counter. This collectible 35mm camera has a coupled rangefinder, an around-the-lens selenium cell light meter. This 7s is the 45mm f2.8 lens version. The shutter has speeds up to 1/500, the viewfinder uses Petri’s Green-o-Matic system and is tinged green and the focusing area is yellow making focusing easier. The Circle-Eye System uses selenium cells to circle the lens automatically compensating for filters, telephoto or wide angle extensions being used. All knobs, buttons, timer, light meter gauge and levers move as they should and the shutter clicks. This rare used Petri 7s camera is sold as is as a collectible. The camera is in good condition with some minor scuffs on the body.